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Posts: 4738
Mar 1 12 1:29 AM
Posts: 6281
Mar 1 12 3:55 AM
VisualFiction wrote:I think I heard a long time ago that the TV show featured some of the earlist attempts at music videos? Not sure if that's true...prof (and others), thanks for the info. I had thought Dolenz was the lead on "Cuddly Toy", I'll have to listen to it again. I've always liked that one...just one more good song that made PACJ such a nice album.
VisualFiction wrote:Is the cover of their second album (More of the Monkees) supposed to be some kind of stealth acid cover like that one of CCR's which featured so much foliage? (Counterbalanced by that funny cover where they're in the pool...)
profh0011 wrote: I've been meaning to run off a "special edition" of that where I'd replace the stereo version with the better mono version. (It could be worse-- for the "LISTEN TO THE BAND" box set, done before Rhino acquired the full rights to their songs, most of the songs were NEW remixes-- including that one. Why? WHY do they do things like that?)
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Mar 1 12 7:46 AM
Posts: 2524
Mar 1 12 9:01 AM
Golden Age
wpbooks wrote:I always described Davy as 'lead tambourinist and tween appeal'! Meaning no disrespect, but that's how I always saw his function in the band.....I liked him better in later years but when I watched the show as a kid, I really couldn't figure out his purpose in the group as the other three seemed to do all the heavy lifting and singing...Davy baffled me.
VisualFiction wrote:I think I heard a long time ago that the TV show featured some of the earlist attempts at music videos? Not sure if that's true...
Mar 1 12 10:29 AM
profh0011 wrote:Mike Nesmith, meanwhile, went into the studios on days B&H weren't using it, and produced HIS OWN recordings. Enough for a full album or more before the 1st "Monkees" albums was even finished. He figured, as long as he got 1 or 2 songs he'd written on a disc, he got royalties for it, even if it never got played. The same goes for singles-- that's why he was so insistent "The Girl I Knew Somewhere" be a "B" side, and why he went BALLISTIC when Kirchner broke their agreement and put something else on the flip side of that single. Kirchner was STEALING money out of Nesmith's pocket by doing that. That's what led to Kirchner getting fired, though he sued, and won a settlement, and to this day STILL insists when he left, "the hits dried up" (totally ignoring that "Daydream Believer" was 2 albums after he left). Kirchner may know his stuff, but he has the personality of a gangster.
Posts: 1989
Mar 1 12 10:53 AM
Registered Member
Mar 1 12 1:47 PM
BillyBatson4360 wrote:profh0011 wrote:Mike Nesmith, meanwhile, went into the studios on days B&H weren't using it, and produced HIS OWN recordings. Enough for a full album or more before the 1st "Monkees" albums was even finished. He figured, as long as he got 1 or 2 songs he'd written on a disc, he got royalties for it, even if it never got played. The same goes for singles-- that's why he was so insistent "The Girl I Knew Somewhere" be a "B" side, and why he went BALLISTIC when Kirchner broke their agreement and put something else on the flip side of that single. Kirchner was STEALING money out of Nesmith's pocket by doing that. That's what led to Kirchner getting fired, though he sued, and won a settlement, and to this day STILL insists when he left, "the hits dried up" (totally ignoring that "Daydream Believer" was 2 albums after he left). Kirchner may know his stuff, but he has the personality of a gangster.profh0011:What's your source for "The Girl I Knew Somewhere" story? That song WAS issued as the B-side of "Little Bit Me, Little Bit You." In fact, it charted at #39 on Billboard. Now, IIRC the version officially released featured Mickey on lead vocals. Perhaps Nesmith was angry at not being allowed to sing lead on his own song? I do have a version of the song with Mike singing lead that Rhino claims was actually recorded as part of the sessions for Headquarters but left off the album. Whether Mike's version precedes or trails the mix with Mickey on lead vocals I couldn't say. BUT Mike still would have been in line to receive royalties from the single as the songwriter.
Mar 1 12 2:01 PM
Mar 1 12 2:13 PM
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Mar 1 12 2:24 PM
Mar 1 12 2:28 PM
Mar 1 12 2:53 PM
profh0011 wrote:"Now, IIRC the version officially released featured Mickey on lead vocals. Perhaps Nesmith was angry at not being allowed to sing lead on his own song? I do have a version of the song with Mike singing lead that Rhino claims was actually recorded as part of the sessions for Headquarters but left off the album. Whether Mike's version precedes or trails the mix with Mickey on lead vocals I couldn't say. BUT Mike still would have been in line to receive royalties from the single as the songwriter."I'm pretty sure (perhaps the dates corroborate this) that the Mike version was first. It almost sounds like a demo, though a VERY "finished" demo. The Mickey version is "smoother", more polished. I LIKE Mike's vocals, I can actually understand all the words when he sings it, but Mickey's version is probably the more "commercial" of the two. Yes, I doubt Mike cared if his vocals didn't go on the single-- it was a "B" side anyway. He just got pissed that the song didn't go on the single at all. That single was PULLED from the market and replaced with the one with Mike's song.The "deal", in the wake of MORE OF THE MONKEES, was that Kirchner and The Monkees would EACH supply 50% of all future released. Kirchner, however, was NOT gonna let some "actors" push HIM around, SEE??? So he called their bluff, apparently breaking the deal just to see what would happen. Sure enough, the group went to Kirchner's bosses, they fired Kirchner, Kirchner SUED, and won a settlement, which meanrt he made out like a bandit without having to do any more work or deal with the "actors" anymore. I can HEAR the arrogance in his voice when they interviewed him about it, decades later. What an A**H***.Kirchner then turned around, and with his frequent collaborator, Jeff Barry (who did the original version of "She Hangs Out" among other tracks), created The Archies. "Sugar Sugar" went on to become the #1-selling 45 of 1968, if I'm not mistaken, selling even MORE copies than "I'm A Believer" had the year before.I do believe MORE OF THE MONKEES was assembled the way it was simply so that as many of Don Kirchner's NYC Brill Building cronies could get a cut of the finished result. (But honestly, did it REALLY take 4 writers to come up with a song as bad as "Laugh"???) MOTM was really the format of today's multiple-producer "albums"... like the stuff from Britney Spears, or even Cher's later offerings. But at least, around half of MOTM were actually good songs.By the way, has anybody heard Deacon Lunchbox's cover of "The Day We Fall In Love"? F***ing HILARIOUS!!! (His performance reminds me of Yosemite Sam.)
Posts: 5180
Mar 1 12 7:07 PM
wpbooks wrote:Don't forget, Nesmith is also one of the producers of the classic Repo Man and is quite entertaining on the dvd commentary for that film.
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Mar 2 12 11:59 AM
My name is Oedi and I soar amidst the stars far from the planet of my birth. I guess this starship is the closest thing I've got to a home now, for I am a refugee and an outlaw. Vanth Dreadstar, Syzygy Darklock, Willow 327, Rainbow and Skeevo are my family. We are revolutionaries. Our goal? To bring an end to the 200 year old war between the Instrumentality and the Monarchy!
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